Martin Garrix

Martin Garrix is the performing name of Martijn Garritsen, a Dutch DJ and producer born May 14, 1996, in Amstelveen, Netherlands, who became one of the youngest headline acts in modern EDM when his track Animals — released in 2013 when he was 17 — topped the Beatport chart for multiple weeks and became a defining anthem of the big-room house era. The track's combination of an instantly recognizable bassline, festival-scale buildup architecture, and explosive drop placed it in the canon of essential EDM records and introduced Garrix to audiences beyond his age group. DJ Magazine named him the number one DJ in the world in 2016, 2017, and 2018, making him the only artist to achieve three consecutive years at the top of that ranking — and the youngest DJ to hold the position. He performed at the closing ceremony of the 2020 Tokyo Olympics — broadcast to hundreds of millions globally — and founded STMPD RCRDS, a label that has developed acts including DubVision, Justin Mylo, and Mesto. His catalog of collaborations includes Scared to Be Lonely with Dua Lipa, In the Name of Love with Bebe Rexha, and Waiting for Tomorrow with Mike Shinoda. In Las Vegas, he holds residencies at OMNIA Nightclub and OMNIA Dayclub & Skybar at Caesars Palace — including the headline closing-night slot of the OMNIA Dayclub grand opening weekend during EDC Week 2026 — with sets built around his progressive big-room catalog and the festival-scale production synonymous with his global touring presence.

Three-time #1 DJ in the world per DJ Magazine (2016, 2017, 2018) — the only artist to achieve three consecutive years at #1. His debut single 'Animals' (2013) topped Beatport and charted top-10 in the UK, Netherlands, Belgium, and Australia when he was 17, making him the youngest solo DJ to headline Tomorrowland's main stage. Performed at the closing ceremony of the 2020 Tokyo Olympics. Founded STMPD RCRDS in 2016, home to DubVision, Justin Mylo, and Mesto. Source: martingarrix.com, djmag.com, taogroup.com/artists/martin-garrix/ At OMNIA Nightclub, Martin Garrix performs on Fridays and Saturdays — confirmed June 20, 2026 (OMNIA Dayclub, Juneteenth Weekend, w/ Justin Mylo), commanding some of the venue's most in-demand time slots.

Martin Garrix currently performs at OMNIA Nightclub and Tao Beach and Palm Tree Beach Club and OMNIA Dayclub & Skybar in Las Vegas, typically on Fridays and Saturdays — confirmed June 20, 2026 (OMNIA Dayclub, Juneteenth Weekend, w/ Justin Mylo). Their sets span Big Room / Progressive House, delivering a sound that has earned them one of the most dedicated followings in the Las Vegas residency circuit.

Martin Garrix's sound: Progressive big room house built around massive melodic buildups and euphoric drops calibrated for festival main stages — Garrix sets at OMNIA Nightclub and OMNIA Dayclub move through his STMPD RCRDS catalog before arriving at the Animals-era anthem drops that first established his crowd command. Three consecutive DJ Mag #1 rankings and a Tokyo Olympics performance confirm sets designed for the largest audiences in electronic music — an accessible entry point to Las Vegas headliner residency culture that rewards first-time attendees and dedicated fans equally. At OMNIA Nightclub, the professional sound systems and production infrastructure amplify every element of their performance — from the sub-bass to the high-end clarity.

As a headliner, Martin Garrix commands the prime time slot — typically starting between 12:30 AM and 1:30 AM at nightclubs, or between 1:30 PM and 3:00 PM at pool parties. Headliner sets run 90 minutes to two hours and feature the full production package including pyrotechnics, CO2 cannons, and synchronized lighting.

General admission cover charges for Martin Garrix shows are $50-75 — FREE with NoCoverVegas guest list. With NoCoverVegas, you skip the cover charge entirely and receive a free guest list entry from your hotel to the venue.

Big room progressive house — the genre that Martin Garrix both exemplifies and helped define — is structured around a specific performance logic: an extended melodic build that gradually raises harmonic and rhythmic tension across a two-to-four-minute arc, resolved by a drop whose impact is calibrated to the room's acoustic and physical scale. At festival main-stage dimensions, where audiences of 50,000 to 100,000 generate their own resonance, the drop's impact is amplified by crowd mass. At OMNIA Nightclub's 75,000-square-foot indoor configuration, the same structural logic produces a more intimate version of the same response: a predictable but genuinely effective architecture that converts anticipation into collective physical release at the moment the drop lands. The genre works because the formula is transparent — listeners who know the build-drop structure experience the anticipation knowingly, which is different from surprise and does not diminish the physical response when the drop arrives. Garrix's production skill is in executing this formula with melodic elements — the keyboard and synth layers in the build, the tonal quality of the bass in the drop — that distinguish his tracks from the hundreds of artists working in the same structural format.

His set construction at OMNIA Nightclub and OMNIA Dayclub follows the arc that his live career has developed across large-room performances for a decade. Early set segments typically move through contemporary progressive house and the STMPD RCRDS catalog — tracks from DubVision, Justin Mylo, and Mesto that position the audience within his production ecosystem before his own catalog arrives. The mid-set introduces his collaboration tracks — the Bebe Rexha and Dua Lipa features function as recognizable anchors for listeners whose introduction to Garrix came through pop radio rather than Beatport — before the set builds toward the peak-time window where Animals, Forbidden Voices, and the catalog of drops that established him as a festival headliner arrive in sequence. The peak-time set at OMNIA runs approximately 1 AM to 3 AM on his headliner Saturday dates, which is when the room reaches its fullest capacity and the structural logic of progressive house's build-drop architecture operates at maximum efficiency.

His OMNIA Dayclub performances during the 2026 season operate on the same structural principles in the afternoon pool deck context. The outdoor sound system at OMNIA Dayclub — the L-Acoustics L2 concert-grade line-array that the venue opened with — delivers big-room progressive house with the low-frequency physical pressure that the genre requires to function correctly as a live experience. Garrix's EDC Week 2026 appearance at OMNIA Dayclub on May 17 was the closing performance of the venue's grand opening weekend — a slot filled by the specific headliner whose name recognition and production values matched the ambition of the venue's opening context. His bookings across both OMNIA venues at Caesars Palace — Nightclub and Dayclub — position him as an anchor act for the Hakkasan Group's Caesars entertainment programming, with his residency providing the highest-profile single-artist performances in the OMNIA calendar across the summer and fall season.