Drama

The Vanderpump Hotel — Basement (formerly The Cromwell)

Dark, intimate underground energy with multiple rooms for different sounds — the original Drai's vibe restored. Hip-hop in one room, house in another, hookah lounge as the chill-out zone. More focused and immersive than the rooftop era, where the outdoor environment imposed a ceiling on the bass response and the show competed with the Strip skyline for attention. Underground, the sound system takes over completely and the crowd orientation shifts inward toward the DJ and the dance floor rather than outward toward a view. The multi-room format creates a constant sense of discovery — the energy in the hip-hop room at 1 AM is completely different from the electronic room at the same time, and moving between the two resets the experience without requiring a venue change. The hookah lounge functions as a decompression zone: lower volume, seated, a space to hold a conversation or plan the next move without stepping outside. The Wednesday industry night crowd knows the venue intimately — less performative than weekends, more socially fluid, and the kind of room where you are more likely to talk to strangers and less likely to be in a group that stays rigidly at one table all night.

Fontainebleau Las Vegas

LIV carries the South Beach mentality from Miami to Las Vegas intact — the crowd is fashion-forward, the dress code is strictly enforced, and the DJ booth is the architectural center of the room with all 62 tables arranged in a stadium ring around it. This design produces a room energy that is distinctly different from clubs where the dance floor separates VIP from the performance: at LIV, every table is close to the DJ booth and every table looks onto the same focal point, which keeps the crowd's energy concentrated rather than diffused. Tiësto, who makes LIV his primary Las Vegas home for 2026 in his third consecutive year, draws a particularly devoted electronic music audience that arrives expecting a specific sound rather than a general nightclub experience. Dom Dolla, John Summit, and KETTAMA anchor the tech-house and melodic electronic nights; Metro Boomin and Cloonee bring hip-hop production energy that creates entirely different crowd profiles night to night — giving LIV more demographic range than any other Las Vegas nightclub running a single main room. The Fontainebleau property itself contributes significantly to the overall experience: the lobby bar continues serving after the club closes, the resort corridors have genuine design ambition, and the check-in and arrival experience sets a luxury tone before guests enter LIV. More curated and noticeably less rowdy than the central Strip megaclubs, LIV attracts guests who want the production scale of XS or OMNIA alongside a Miami-influenced social atmosphere that skews toward conversation and style over pure floor energy.